Watch $27,000 Batman Fan Film City of Scars

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Watch $27,000 Batman Fan Film <i>City of Scars</i>  

I can’t really say much for the writing or acting, but visually Aaron Schoenke’s Batman fan film City of Scars is kind of impressive — particularly when you consider it was shot over 21 days with a budget of just $27,000.

The 30-minute short, which debuted today at Daily Motion, covers familiar territory:

When the Joker escapes from Arkham and murders the parents of a young boy, Batman recalls the pain of losing his own parents as a child. He is pushed past his limits to the point where his focus becomes revenge on all who stand in his way, including many of Gotham’s underworld. Finally, Batman is forced to look at the psychological profile of his own mind and accept the consequences of his life to find resolve.

Like I said, it’s fairly well-worn ground. But still, it looks pretty good, right?

  • Mytruthlies

    accept not except

  • demoncat_4

    that was intense and interesting. for even in death the Joker managed to achieve his goal. plus this film proves that Harley is more nuts then the joker. also nice to see scare face and the ventriloquist show up in live action scar face is creepy on a chucky level

  • http://twitter.com/Agent00ice Luis

    Everyone should check this out. It's a great Batman fan film.

  • Bob

    great job

  • Davey Boy Smith

    Anyone else tired of these dark, grisly interpretations of superheroes and other media franchises? First the Mortal Kombat audition tape, now this Batman fan film… Why don't filmmakers attempt to astound us anymore, such as Richard Donner did with his Superman movies?

    Schoenke made the most of his budget, but IMO hasn't managed to bring anything original to the Batman mythos. He has simly proven that he has a basic understanding of settings, lighting etc.

    Also, I don't care for Batman as a narrator. He loses much of his mystique in the process, and his grim, monotonous delivery is, simply put, annoying. Keep his dialogue to a minimum, so as to give his words more impact.

  • Adf

    This was okay, but like Davey Boy said, it is a bit redundant. Maybe there isn't anything left, but I would like to see something new in a super hero movie. That maybe just mean I'm tired of Batman.

  • TwinPistols

    I couldn't disagree more. First of, you don't get light fare with Batman. Any modern interpretation that isn't dark and grisly just isn't fitting for the character. He's not Superman, he's not Spider-Man, he's not supposed to give you that same feeling. I mean, paying your ticket for a Batman film, hoping it's not going to be dark is like hoping there's not going to be gunfire in a Punisher film.

    Plus, I enjoyed the narration. I thought it worked just fine. You guys can say what you want about the acting, but that man carried that film with his voice, and that is something Christian Bale couldn't have done.

    I enjoyed it. I thought the plot was a bit light, but besides that, everything looked pretty good. It was great to see a live action Ventriloquist and Scarface as well.

  • Z Herring

    Light, modern interpretations exist for Batman and while they may not be your cup o' tea, they do work on every level (Grant Morrison is doing wonderful things over at Batman & Robin for example). I love DKR, Year One, and Frank Miller as much as the next guy, but there is definitely more then enough room for more then just the single, grim tone most people associate with Batman nowadays.

  • http://twitter.com/EliteF50 JJ

    This is my favourite Batman film ever created. Hollywood should be ashamed. This film hit every note properly.

    Built Batman with a deep voice and classic suit? Check. Mark Hammil looking Joker? Check. Great story? Check. Terrific acting? Check.

    City of Scars tops TDK, B89, BB, BR, B&R, and BF.

  • Nilla

    I understand where you're coming from. But Bruce Wayne is a dark character. The reason Morrison can take a much lighter tone with his series is because it is Dick Grayson behind the cowl rather than Bruce. Bruce has only gotten darker with age, while Grayson has maintained a positive streak in spite of all he's been through. Even so, there's quite a bit of “darkness” in his setting. This isn't the 60's batman anymore.

  • Hysan

    Yes, because making Black Canary into a stripper is a fantastic idea.

    I won't fault it for production values, but even at 30 minutes, the story and the pace were plodding. The current Batman movies are better, not because of how much they spent, but because they're actually _interesting_. If you're going to do a Batman movie, give us some sizzle with the steak (the psychological stuff wasn't bad, just well worn, like Kevin said).

    This felt more like the Daredevil movie than a Batman movie.

  • fred

    Great Film, I love Dark gritty Batman. What can i say, the world sucks and i like seeing some one live in a crappy world but still try to do good. Feels better than running away from it. Plus its always fun to see thugs get their butt kicked. The Film Maker did a great job. I wish some one would do this with Wolverine. I would but i am completely with out talent. Great Job on the movie.

  • Adam L Garcia

    Couldn't disagree with you more. This was a waste of $ and time.

  • Z Herring

    To me, the Bruce/Dick distinction is splitting hairs. When I read Batman & Robin, don't think “this is a good comic, but only acceptable because I know Dick is under the cowl, and not Bruce.” Dick's parents were murdered too. And Batman: The Brave and the Bold is pretty fantastic if you haven't checked it out lately.

    I'm not saying Bruce shouldn't be dark anymore, I'm just saying there's room for more then just one 30 year old interpretation of Batman.

  • Anemptybottle

    I guess you have read a batman comic in the last 30 years. It was a pretty accurate interpretation.

    The gravelly voice adapted by Bale's Batman does indeed annoy to say the least. It wasn't as bad at that here though.

    This was a solid short, though.

  • Jheld

    So this movie is not made for profit, yet there is an advertisement before it. Boo on CBR for not supporting creators rights.

  • http://profiles.yahoo.com/u/TAJL6WGH2HLS2FPXLYWUUMQNCI HAROLD

    VERY,VERY well done

  • AceOfKnaves

    But Bruce and Dick are two totally different characters. Just because they come from the same kind of place doesn't make them the same man, or the same Batman. Not even in the slightest. Dick Grayson is a stronger, saner person than Bruce Wayne ever could dream of being. He doesn't NEED Batman the way Bruce does… so even lightly suggesting they're the same is insanity to me.

    I agree with TwinPistols. If you're watching something Batman, you're accepting that it's darker than something like Spider-Man or Superman. This isn't saying the story has to be as dark as this one was, but the character himself was NEVER meant to be bubbly, or happy go lucky. This brooding, shadowy figure is who he was when he was created, and it's who he is when he's Bruce Wayne in modern times as well. It's who he should be. Anything else is just changing the core of the character, and frankly… it's tossing out what a lot of Batman fans WANT.

  • Theern2002

    Great short. Was that Black Canary in the club scene?

  • axonrey

    While I won't begrudge this film for plot points, recognizing you can't exactly redefine the mythos in 30 minutes, this still didn't blow my mind. These visuals would have been more compelling pre-Begins and Dark Knight, but at this point, there a staple of Batman media. I do like the introduction of whether killing the Joker is the right thing to do at this point, however, for anyone to doubt that it is, is moronic to me. But that's a comment more towards the comics than this film. Kudos to the costume, though. Beats the all black, though I'm waiting to be astounded by a cowl Batman can actually turn his neck in.

  • Scott R. Brown

    Really well done for the budget …. I'm impressed ,,,,,,, Keep gettin' this around so folks can see how ridiculous it is to assume that you need big names and big bucks to make an entertaining film ….

  • Lionineone

    Now this was great!!! More! More! Love to see you guys tackle some of DC's or Marvel's other characters!

  • Kevinhanley

    good i like it)”

  • Whitefang7

    So, when are we going to Reboot the Batman movies to look like this?

  • Z Herring

    I imagine a lot of people giving the same arguments against change to a grimmer interpretation 30 years ago. For the last time, I'm not against grim n' gritty, just open to other interpretations. Justice League International is another great example of Batman working outside of a depressing gothic setting. It's fine if you don't want to read it, but I'd love to see something different.

  • Whitefang7

    This is what Batman is, he was doing detective work, and being all deep and stuff. Not just punching people.

  • http://www.herorpgs.net AceOfKnaves

    Except that by the time they started writing him grimmer, the majority of his readers had already left in droves because of the camp/cheese. So barely anyone was there to complain. He was returned to his intended, but more updated/current glory in the 70's. Not the 80's. People often mistake Miller as being the one that brought him back to a more serious, dark environment, when it was Denny O'Neil. Miller in fact took him a step too far. The point is, bringing him back to his roots… the dark, moody version? That SAVED his titles.

    No matter what, Batman shouldn't be a carefree character. Ever. It's against everything he was meant to be. The world around him, and the story itself can be lighter, but Batman himself still needs to be that guy that's the downer. That takes everything too seriously, and always manages to sneak in that solution that no one else would've thought of, because it's his only use in JLA situations. :-P

    There are plenty of other places to get fun loving, laugh worthy characters that make you feel good, and chuckle. If you ask me, there's no reason to ruin Batman just to have another one.

  • http://saidatala.daportfolio.com Said

    I was thinking the same about the monologue thing, it gets annoying after a little while. What if Alfred would had been the narrator?
    But that's my only complain. It's a very low budget, and the results are very good.

  • http://johnrfultz.wordpress.com/ John R. Fultz

    Terrific! The Batman costume here looks better than Burton's (ridiculous) or Nolan's (still too bulky). This is the Alex Ross costume…it looks like it should: form-fitting and functional, without reducing mobility. Why won't Hollywood every take this approach with costuming? CITY OF SCARS is one impressive piece of work.

  • Adf

    fuuuuuuuck

  • Retro315

    I liked this. Proved you could certainly use zanier characters like Scar-Face and still have it be creepy and realistic. Characters felt well-cast. It felt like it could've been a live-action TV show, to be honest, and played about how I'd want one to play (albeit with more recognizable cops).

    Not much to criticize. Harley just isn't Harley without Arleen Sorkin's vocal inflections, and I'd have like to see a post-credit scene at the morgue where we hear laughter. Joker's been notorious since day one for being “presumed dead” at the end of an issue, and turning up alive and well somehow later.

  • Steviemort45

    It was a little overly dramatic but the well done and I cannot believe it just cost $27,000 dollars. Very well done on that small a budget. I especially like the batsuit.

  • Theguilty1

    This is like a bad made-for-TV movie. Terrible.

  • Guest

    I doubt. Canary is traditionally a florist, and unless they changed it, not a blond.

  • Mwedmer

    The acting and writing in this are very well done overall. The Joker is actually the weakest part of it, because the actor spent to much time trying to decide what version he wanted to be. and never settled on any.

    Batman is a dark character, and while I enjoyed the old Batman TV show, I would NEVER EVER want to see that presented in film. Joel Shitmaker tried it and failed repeatedly.

    As far as those talking about the differences in Bruce and Dick versions of the Dark knight, Bruce was not given the neccessary support after his parents died. He went off on his own with all of his anger intact for years until he found direction.

    Dick on the other hand was scooped up by Bruce immediately and was given a direction and an outlet for what happened to him.
    This allowed him over time to better come to terms with what happened to him.

    This way he is not driven to be a Superhero for the same reasons as Bruce. That is why he can remain less grim about things.

  • Mwedmer

    Detective Crispin and Renea Montoya are about as recognizable as you can get without being James Gordan.

  • Justin

    I enjoyed it…most of all because the suit is light years better than the one in the Nolan films…He looed COOL! That mask sucked crap, especially in the last movie. For god sakes, why can a $27,000 fan film's Bat costume look so much better than the one in a bid budget Hollywood flick?!?

  • Mtcap

    An impressive piece of work, but more so on a style level than a content one. It's not overstating it to say that “City of Scars” regurgitates the work of Frank Miller (and to a lesser degree Grant Morrison's “Arkham Asylum”) and I'd hazard to say that it is an approach which is more than a bit played out. There is such a glut of grim, one dimensional “realism” in comic book based material at the moment, as if the only way to communicate sophistication is to wallow in darkness. Certainly this springs from a misguided attempt to be taken seriously, because our wonderful little world of graphic fiction has always been derided as a second class art form, but it's purely reactionary and isn't it time for something new? How I long for a day when we'll rediscover the limitless metaphorical potential to inspire and even to foster a sense of justice and hope. What is at the heart of the superhero? Why does it speak to us? In a genre limited only by imagination, aren't there deeper avenues of exploration than should a hero kill? Storytellers of tomorrow would do better to blaze their own trail, rather than walk a path well worn. Honestly, I'm not sure I understand the reasoning behind devoting so many resources (and not a inconsiderable talent) in the service of someone else's exhaustively explored character/work. Which is not to belittle the fantastic and exemplary work on display in “City of Scars,” it is quite good and I enjoyed it immensely, and certainly I'd not have sampled Aaron Schoenke’s work if it wasn't for the inclusion of Batman. I'm simply urging you, all of us really, to aim higher.

  • Steely Dan

    This was mediocre at best. It bored me. This is why fans should not be allowed to make the big-budget versions of these films. They fetishize all the superficial aspects of the production at the expense of the storytelling.

    Review the film objectively: If you substituted a guy in a leather jacket and a ski mask for the Batman character, and you had the actor play the Joker character without any clown make-up, would you really have watched this thing from beginning to end? And what's with the voice-over narration? That's a lazy filmmaking technique used by someone who has failed at telling the story visually.

    And the $27,000 budget is irrelevant. It's either good or it's not. “Swingers” (which was four-times the length of this film) cost $200,000 and was an infinitely better, more interesting, more entertaining film. Charles and Ray Eames made short films in the 1950s and '60s using just still photographs and a musical score that cost a fraction of what this film did (in inflation-adjusted dollars) and moved me more than this did.

  • krypto

    OOOhhhhhh….so dark and serious. Stupid. $27K down the toilet. Well done.

  • krypto

    If you want the perfect balance of a light and dark Batman, take a look at the Mike W. Barr/Alan Davis run on Detective. Perfect.

  • Hysan

    It clearly reads in the credits “Black Canary.” The fishnets were a dead giveaway.

  • Midxpress

    I guess you must not be a fan of the Brave and Bold cartoon, then.

  • Shane

    Wow. I am stunned by how bad this is. The suit was decent though.

  • Jhawkins1047

    This is a milestone for Batman on Film. Just like the Collara films we got something fresh and at the very least something the next franchise should take notes on.

    The acting is worth just about every penny paid for it. Obviously these people aren't A-List material. However I did love the Batman performance.

    Overall this film is visually stunning. The suit and Bat symbol work and I liked the interface on the Bat cycles computer. Very well done.

    I loved the use of Scarface although when he said “Little Man” I was thinking Penguin. Scarface as a club owner just doesn't ring well when we all know that's penguins gig.

    The Joker performance was a bit weak in areas however the scene where he was making the bomb was EXCELLENT.

    Harley Quinn didn't have the Queens accent and that was unsettling.

    The film to me was a great FAN made film. If this was big budget I would be ripping it to pieces but to the film maker well done!

  • Jhawkins1047

    Perhaps you need to stop looking at Batman and go read Archie comics or something.

  • Py3380

    Very good short film. I enjoyed the movie:)

  • Mr_Wayne

    You sound like you don't really like what goes on in the Batman world. Dark tones, Batman narrating. That's what A LOT of Batman fans today love about… well… Batman today.

  • Italian_pride26

    That was actually really good…..some clever camera work and some pretty decent amateur acting. I mean i know the costumes were low budget and everything but it was a really decent mini film…Joker was pretty cool in the beginning sitting at his little mirrorw and stuff. Count me impressed

  • Liwonhu

    I like the film!
    My congratulations for the hard job.
    A big hug from Spain,
    Fran Casanova.
    http://www.francasanova.com