Why Faithfulness, Not Honesty, Is The Best Policy

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Why Faithfulness, Not Honesty, Is The Best Policy  

Both Jonah Hex and The Last Airbender have found themselves being on the receiving end of both lousy reviews and terrible box office attendance recently, which makes me wonder: Do they provide a guide as to what not to do when adapting a property into a movie?

Think about it: Both Airbender and Hex have run afoul of fans of their franchises by making changes for a mainstream movie audience that doesn’t seem that interested in their movies in the first place – Hex gained supernatural powers, and The Last Airbender gained an especially caucasian cast. This strikes me as a decision that’s either surprisingly ballsy or – more likely – the first big mistake. Both changes weren’t minor, like updating Iron Man‘s origin to the modern day Middle East or whatever; removing Airbender‘s multiculturalism takes a large part away from the appeal of the original series, just as adding the supernatural undercuts the (admittedly limited) realism that made Hex such an interesting character in the first place, which raises the question: Why do it?

If there’s one thing that moviemakers should have taken from the success of things like Lord Of The Rings, Christopher Nolan’s Batman movies or the Iron Man movies, it’s that fidelity to the source material is the key to success. Not necessarily slavish devotion – That way lies overlong madness, after all – but enough to show to fans that the moviemakers not only understand the material, but understand why the material is so important to the fans. The way I see it, when you’re doing an adaptation of an existing (and, especially, popular – moreso The Last Airbender than Jonah Hex here, admittedly) property, fans are invaluable, both as something resembling a conscience/early warning system, and also as unpaid advance publicity agents – They’re the people who can make others excited about your project, but also the ones who can tell you when you’re messing with the stuff that made you want to make the movie/TV show/video game/whatever in the first place.

It’s in everyone’s best interests to listen to, and in some sense, appease the hardcore fanbase: Just as much as those making the adaptation, the fans want it to be successful – They want others to see what they’ve been excited about, and to make them understand – and they’re willing to help make that happen. I can’t help but feel that, when Airbender fans started (justifiably) freaking out over the casting of the movie, it would’ve been to the movie’s ultimate benefit if the producers had stopped and thought, Wait, why is this a big deal? Maybe if they’d done that, then they might have realized what made the original Avatar: The Last Airbender different, and special, and more than just the cliched special effects engine that its movie version has become doomed as.

  • Jasonmichelitch

    Well, the article is about box office failure, because if Airbender had been a box office success then there would be no staging grounds to write the article in the first place.

  • Llc

    Airbender had “terrible box office”? Despite scathing reviews, it broke $40 million in the US up against a Twilight movie–seemingly very effective counter-programming. Imagine what it might have done if not opening against such a juggernaut franchise.

  • d3tsui

    My comment was only meant to show that there is a definite connection between Asian culture and the show (answering the question Antlion's comment).

    I've written/erased/rewritten this comments over and over again to try and get it right so please bear with me.

    The issue is not about the fans being upset about changes to small details. Changing small details to move a film along is commonplace, especially if it is based on an entire season of shows. M.Night just didn't do a particularly good job at condensing/editing the series for his movie.

    What's upsetting is that someone in Hollywood decided that audiences are not ready for Asians in starring or heroic roles, when the popularity of the series clearly showed that we are. What's upsetting is that people don't realize how important their cultural identity is and what it means to have it taken away.

  • Brian From Canada

    It has nothing to do with needing more movies with white people. Only people concerned with race are looking at it as a race issue. What is needed is the best people for the role — period — unless that role carries with it certain built-in ideas of image which the director has to play to in order to sell the movie.

    In other words, it doesn't matter what colour of skin the President of the United States us, or the soldier in the field. But if it's, say, a civil war epic and the character serves the South, then it does matter because we have a certain idea of that in the GENERAL populace.

    Comicbooks and animation are not usually known in general except through certain images and where this argument about Airbender fails is that it assumes that the general public know something about how the characters look. They don't.

    It's one thing to say people know who Peter Parker is because of the way it's been sold, it's another to say it about Airbender. And the problem with Airbender as a movie is that the actors chosen aren't super strong, nor is the script — NO skin colour is going to change that!

  • Brian From Canada

    They didn't lose the chance, Dex, they never really had it. For all the Lord Of The Rings and Star Wars films out there with huge line-ups, there are many many more that are based on existing properties that don't encourage the fans to do so.

    Personally, I think Hollywood and its repetition of the mantra it's about race and faithfulness is really trying to divert attention from the fact that they failed to create any interest in a film that was, quite frankly, not worth hyping over in the first place.

    Hex didn't fail because the fans weren't there rushing for it. Hex failed because the trailer was dropped late, reports abounded that the studio was unhappy, there was no build up from its parent company DC, and the reviews were terrible. THAT keeps people out of the seats.

  • Chris Schillig

    I'm not talking about artistic worth. The consensus I refer to comes from box office analysts who claim the film performed financially at about the level they expected. Of course, bad word of mouth will likely lead to a steep decline in business for its second weekend.

  • Wyatt Samuel K

    I believe that people are overplaying the connection between Asian culture and the show. Were they drawn Asian, yes, but that is purely superficial. Did the show employ Asian martial arts, yes, but that is a tenuous connection at best as nearly all martial arts are employed by every culture. The success of the show was based upon how universal the story is. It wasn't an Asian, or American, or Western, or European story. It was about one guy (two if you include Zuko) and if and how they would achieve their destiny. That is a premise that goes across all cultures.

    So, I ask, what exactly is 'Asian' about the cartoon that is not in the drawings of the characters or in our conceptions of 'who should be good at martial arts'?

    I certainly will not argue that MNS screwed up the condensing of the story.

    I would argue about how popular the show is, though. Sure, it was popular, but it was more 'big fish in a small pond' popular and not American Idol popular. Meaning that it didn't really catch on that big. But it is entirely possible that your theory on someone in Hollywood just deciding not to cast an Asian cast is true, but that is an assumption, not a fact.

  • Jasonmichelitch

    Oh, I liked the performance a lot. I just think that it veered pretty far from the character's general appearance and behavior in the source material (which, of course, was part of why it was such a good performance).

  • http://profiles.yahoo.com/u/Y2NFIDLZYRMK5PDMFVREJKMHOQ R David

    A quick search

  • http://profiles.yahoo.com/u/Y2NFIDLZYRMK5PDMFVREJKMHOQ R David

    A quick search shows no mention of Michael Keaton in the 1989 BATMAN movie.

    Fans were quite upset about the casting of a comedian as Bruce Wayne; the specter of the 1960's BATMAN TV show reared its head.

    Thank goodness no one listened to the fans in that case – because they were dead wrong about Keaton's ability to play an effective, appropriately dark Batman.

  • RJ

    And being remade by Hollywood as “Let Me In” starring Hit Girl from Kick-Ass.

  • http://twitter.com/JJironJr Fidel A. Jiron Jr.

    They main point that is being obscured by all this racial talk and nitpicky geekdom is the fact that the movies are not very good. Had the movies actually been entertaining no one would care about the things that arent correct. That is why after the bitching about Michael Keaton or Organic Web Shooters or Ledgers Joker, when the films were actually seen, they were amazing films that were entertaining and well crafted. The Last Airbender and Jonah Hex are bad movies, now compounded by the fact that they got so much wrong as right.

  • Ethan Shuster

    I often wonder about the changes, too. The original source material was popular enough to spawn a movie version. Why would you change it? Granted, one reason is rather cynical. Execs figure that the biggest draw to the film is the name. They believe that the “true” fans will be guaranteed ticket buyers. Then they think they'll need to make a change to get the other non-fans interested. But again, if the original source was so popular that it was decided to make a movie based on it, why would changing it do any good? “This would make a good movie. Now let's change it.”

    I feel that lately, the reaction to some of these movies is getting worse, and fans and movie-goers are starting to move beyond the “I loved that show! I HAVE to see the movie even if it's bad!” mentality. Maybe, just maybe, it will continue and lead to a change.

  • Mark

    I sometimes wonder why more filmmakers don't consider animation as a viable option when adapting some of these comic book properties for theatrical release.

  • Wrprintz

    My real problem with Jackman is that Wolverine is 5'2″, not 6'2″.

    Aang was fine as a new actor, I had no problem with him except how they pronounced his name, and he looked like Aang. Sokka and Kitara were poor choices, and even with Night showing that the Northern tribe is White and that there were “inuit-like” folks in the South, the two actors could have been a little more mixed (even with a white grand mother).

  • Wprintz

    I liked her in Kick-Ass. Let the Right One In is an awesome movie that Hwood is sure to ruin though….

  • Wrprintz

    I thought Aang (Noah) was a fine choice, just poorly directed for a first time actor. Sokka and Kitara could have been cast as entirely untrained actors from Vladavlastok and done better.

    If you were a fan of the series, you remember that there was a play about the lives of the companions during the thrid season, that was quite over the top, and not particularly accurate….it felt like that playwrite wrote the script rather than anyone who had actually watched the series.

  • JtRodgers

    What makes a difference who plays the avatar characters? The movie is being shown to a mainly caucasian audience. I believe in equal rights for sure, but shouldn't people worry about the quality of the actors instead of the color of their skin? The avatar cartoon never made any claim that the characters were asian. There is asian culture and influence but i seen every episode and i don't remember one time any of the characters being labelled “asian”. People complaining that the actors are white seem more racist to me. Better put Chow Yun Fat in the next Twilight movie or people will complain, so what if he doesn't belong in it. Better throw some eskimos in there too. Elephants too, make sure you use both African and Asian ones. C'mon now. Let's not be silly. Complain about the acting, special effects, or the direction but don't pick on under-aged kids cause they're white. If the amazing martial artist they got to play aang was overlooked for someone else just because he wasn't asian would be a crime.(I love Chow Yun Fat by the way but needed an example.)

  • Jesse

    WHAT “American” children are you referring to? The white ones? What about the dark skinned or Asian ones? You think they saw them as white too? NOT likely.

    Hows this for irony….M. Night Syamalan got into this series because of his daughter who wanted to dress up like Katara for Halloween (not surprising considering there are so few kid heroines that resemble her…)…and he goes out and casts a white girl for Katara.

  • Jesse

    um…try the philosophy (it is called “AVATAR” and delves heavily into Eastern philosophies…unlike the movie with the blue aliens)….and pretty much the ENTIRE setting of it all (food, architecture, clothing, customs, written language,)…I mean…..how many more elements does the show need in order for it to qualify as ASIAN? For the audience to understand that this is an ASIAN-CENTRIC FANTASY…just like LORD OF THE RINGS was a EURO-CENTRIC FANTASY.

    No one blinked an eye when LOTR's only casted caucasians. IT was the setting, it fitted.

    I mean geeze, even the cartoon's writers/producers said that was their goal…to make something different from the European legends and fantasies…to go on the other side of the world and bring that into their story. If their attempts to make it something NON-EUROPOEAN/AMERICAN doesn't tell you something, I don't know what does.

    All stories are universal, they're only decorated with different settings and people. And yet, it doesn't take away the fact that most of them are told with white folks in Hollywood…even the ones that are done in an extremely Asian-centric setting. I mean really, would it have killed them to not only make the names of the characters as “AUTHENTIC” sounding as possible, but also make the characters as “AUTHENTIC” looking as possible too? Give more minority kids a lead role for once?

    Facts are Hollywood whitewashes more movies than people realize. But being in America where white are the privileged majority…it's not even an issue to them…just to the minorities wanting some representation or work in Hollywood.

  • Jesse

    Yes, grammatically correct English is only spoken by white people.

  • Jesse

    Right…so an Asian-centric Fantasy like Airbender should be allowed to cast white actors, just like a Euro-centric Fantasy like Lord of the Rings should have casted black and Asian actors…damn, next remake of LOTR should definitely give me a black hobbit. Afterall, it's not as if the people or the setting or even the AUTHOR'S INTENT/IDEAS matter at all…

  • RUSTYSD

    This article is flawed for at least a couple reasons. First –
    Airbender is doing quite well at the Box office – unlike Jonah Hex.
    Second – the movie does not have an especially all white cast. In fact – the movie has the most ethnically diverse cast of any major motion picture this year. Over half the cast is South Asian. Further
    - the characters from the show are aracial in that their race is ambiguous.

  • Wyatt Samuel K

    Thank you for proving my point. Everything that you listed is superficial. Just give me one moment during the show where you went, 'Oh, so that is how that happens in Asia.' Just one. The background is the same thing as how the characters are drawn. They are only clues to tell you that you are in a setting. They do not tell you anything about the culture and how it works, how the relationships are different, how interactions change.

    Further, your use of the term Avatar to demonstrate the show's 'Asianness' is completely inapplicable. Avatar comes from the sub-continent of Asia and NOT the main continent, where the rest of the background settings are. And those 'oh so Asian' aspects of the show, what were they? The need for love and approval of your parents? Sexism? Learning to embrace your destiny? Fighting tyrants? Yeah, really Asian.
    Go compare Avatar with something like 'Crouching Tiger, Hidden Dragon' (an ACTUAL Asian fantasy story), and tell me what the similarities (aside from how things look) are.

    Don't give me what the creators said as any kind of evidence. Their statement is like saying, 'I'm not racist,' all the while they have no minorities in their circle of friends.

    All stories are not universal. Go give 'Menace II Society' to someone who lives in rural Asia or Africa, see how much they understand.

    And let me let you in on a secret, Hollywood is a business. They cater to their audience, and their audience is mostly white folks. Whether that is right or wrong is irrelevant to this discussion. This was a business decision that can easily be backed up by a truckload of statistics demonstrating how much better films with a primarily white cast do over 'minority' movies. Whether or not that is 'right' in your head DOES NOT MATTER, they are a business.

  • Wyatt Samuel K

    Yes, and we should kick all the non-Norwegian people out of the Thor movie. And when Will Smith was being thought of for the Captain America movie we should have had a min-revolt. No, the people, the setting (normally), and the author's intent DO NOT MATTER. This is a MOVIE and NOT the source material. For the movie, only the director's and the screenwriters' ideas matter.

    Here's the thing, if you care about race, that shows racism. Justifying it with ideas like 'this is how it should be,' is the same justification that the South used for Poll Taxes and slavery.

  • http://profiles.yahoo.com/u/SSJHJ264335LZQIEAYAVL4FAWQ d b

    Wow Rusty, did you just come into this situation? The initial treatment of the script and announced actors 10-12 months ago was 90% white with the only ethnic roles being “bad” guys… That is why the Asian and East Indian communities are in such an uproar about the film.

    This being said, I thought 40-50 million was a respectable showing for Avatar The Last Airbender going up against Twilight. But with that said, I didn't go see it…I stayed home and watched a marathon of the final season again…I not giving M Night any money to destroy my fond enjoyment for Avatar

  • savv79

    Don't forget eating with chopsticks. Yup, definitely white!

  • sav79

    Those aren't superficial. The APPEAL is based on universality. The story, philosophy, and setting is not. The morality was clearly Buddhist in sensibility, with elements of being one with nature, cycles of life, reincarnation etc. That's a biggy. Not exactly superficial. It's the fact that Buddhist philosophy is now mainstream, that leads to the success of the show, rather than the universality of Buddhist belief in western religion and tradition.

    Crouching Tiger is no different than Avatar. What's your argument that it is? In fact, Avatar probably delves much deeper into asian culture than Crouching tiger, which would prove your argument about setting.

    First of all, I think people who went to see this movie probably would have preferred an asian cast closer to the anime. So your casting white people to make more money argument is false.

    But yes, Hollywood is a business. And the controversy and ill-casting damaged the reviews of that business. So yeah, it does matter especially when there are enough people to call out bullcrap when they see it. Casting white people can only be taken so far. And by the way, that's a horrible argument you have which is basically “racism is status quo, so you should just shut up about it”.

  • Ambrose Chase

    Its relevant when its superman, the all american boy scout.

  • Greatwhitebuddha

    I want a written apology from MNS for bastardizing what I consider to be one of the best TV programs and stories of the last 20 years. I hope the debt this movie puts him in will make him will make him suffer as much as it made me suffer. Inexpected more from a director that turned the comic book and ghost story genre on it's head. Granted he failed to do justice to the fairy tail, the horror and the apocalypse genre (with a moderately good Alien movie in the mix). I had hoped he would take his last three failures to heart and maybe listen to the bad press and get back to making good movies. With the last airbender which he made for his kids you think that he would have at least watched the series and checked out a fan site or too instead of listening to to obviously retarded and stunted play back of the story from his half illiterate 5 year old child…as a matter of fact I'm pretty sure he let his kids write and direct this movie. The opening narration from that talentless girl set the movie into the frightening world of a made for TV movie… I could go on but inwould rather rewatch the original series and forget that MNS sh*t all over this film. This story and these characters deserve more.

  • http://twitter.com/ComicsAGoGo Comics A-Go-Go!

    Part of the genius of Avatar

  • http://twitter.com/ComicsAGoGo Comics A-Go-Go!

    What I loved so much about Avatar is that the story unfolded at just the right pace, had enough depth to engage me as an adult, and plenty of humor to make me bust up laughing alongside my seven-year-old daughter (who was absolutely hooked on the show). There are a lot of other really good reasons too … characters, animation, locations, etc. It’s too bad that the movie captured so little of the imagination of the animated series. I was confused by the unnecessary changes as well. In fact, I knew the film was doomed when after only a few minutes in, I was already disliking the characters. I have to wonder if M. Knight Shamalamadingdong has a sense of humor at all.