Bryan Singer Owns His Mistakes On Superman Returns

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Bryan Singer Owns His Mistakes On <i>Superman Returns</i>  

The best interviews are always, always the candid ones. It’s rare that you see it in the celebrity world, but sit down and pay attention when it does … because you’re going to learn something.

Bryan Singer recently sat down with VoicesFromKrypton to give a master class in being candid, discussing the cold, hard truths relating to his work on Superman Returns, which is arguably — arguably, commenters — the least of the films in that franchise. It’s not a terribly lengthy interview, but the filmmaker packs quite a lot into it.

“I think that Superman Returns was a bit nostalgic and romantic, and I don’t think that was what people were expecting, especially in the summer,” he said. He also noted that he’d spotted plenty of women in line for The Devil Wears Prada, but very few for comic book movies. “I really do think I was making the film for that Devil Wears Prada audience of women who wouldn’t normally come to a superhero film.”

Ouch. That’s probably going to come back to haunt him at some point. If you’re the one doing the haunting, just remember that he’s the one who admitted it when most would have simply just not spoken up at all.

Singer also adds that his love for the original Superman movie may have been too great, which in turn cast Returns as too much of an homage. “I embraced the comic-ness and made this alternate, bucolic Metropolis. Then there was the music and the whole thing,” he said.

“But I am very much in love with the Donner picture, and for me the journey was exciting because I got the chance to reprise those images and explore it. When you’re fascinated by something and you love it, part of making the movie is trying to please everyone and make a successful movie, but part of it is an experimental kind of thing.”

  • Aggamendon

    That’s about what I think. It was a little _too_ much of an homage to the first one, but past that I really liked it.

  • http://twitter.com/HeroicTStudios Michael Sacal

    I don’t think one needs to necessarily know about transmedia as much as know that the ancillary platforms exists to follow the stories there.

    “For more on the movie, read these comics, which tell you what happened to so and so before the movie began”.

    It’s not that much different from novelizations of screenplays, which tend to have scenes that didn’t appear in the movie because they were caught for time.

    Is there a novelization of SR? If there was, I have no doubt that it would include all the deleted scenes and additional information that didn’t make it into the movie.

  • http://twitter.com/HeroicTStudios Michael Sacal

    It is strange that she never wonders how it be possible for her son to have superpowers.

  • Dswynne1

    I thought that the film was fine, except for three aspects:

    1) The main plot was a rehash of the first film.
    2) The pacing was awful (could have shaved off a good twenty minutes from the film).
    3) The actress who played Lois Lane was under-whelming.

    Personally, I didn’t mind the kid, or how he came about. To me, Superman probably didn’t think it was possible for him and Lois to have a kid due to genetic differences, so accidents can happen. It makes him HUMAN. But I did like the idea that once he knew what was going on, he took responsibility. As for Richard White: I never got the impression that Lois tricked him into raising Superman’s kid, but that Richard, in love with Lois, decided to be a father-figure to Lois’ kid. It happens all the time. Plus, Richard was likable, which was a refreshing thing. But I can understand Superman purists for not liking the film, since it is a radical departure from their “safe expectations” of the Superman mythos.

    DSW

  • http://nailsin.mysite.com nailsin

    Well I think your argument defeats itself. I mean you’re defending the movie right? Well according to you the movie needs outside stories in order to work therefore the movie by itself fails.
    Anyway does the comic explain Lois Lane’s triangle with Richard and Superman? There’s a scene in the film where she’s angry with Superman for leaving. She says she waited for him–well for how long? Five minutes? She conceives the super baby then Superman disappears and so she sleeps with Richard White soon enough to believe he’s the father. Lois looks pretty bad here. So does Superman. The guy I feel sorry for was Richard and the kid.

  • Picard

    superman as absentee dad?
    nuff said.

  • Madmike

    His excuses are as lame as his movie.

  • http://twitter.com/HeroicTStudios Michael Sacal

    I didn’t say that the movie needed help, I pointed out that the movie came with four prequel comics that expanded on the story, mainly what occured prior to the start of the movie.

    I don’t recall the minutia of the issues. I do remember that there is a scene set atop the Daily Planet building that shows how Lois and Richard met after Superman left. I don’t recall how long it was after he lift but it was long enough for her to believe that the baby was Richard’s son.

  • http://twitter.com/HeroicTStudios Michael Sacal

    He didn’t know that Lois was pregnant. How could he have?

  • http://nailsin.mysite.com nailsin

    Yeah but her line ” I waited for you.” to Superman is a lie.

  • http://twitter.com/HeroicTStudios Michael Sacal

    First of all, for someone who dislikes the movie you know it better than I do, heh. I can’t quote specific lines.

    So I’ve gone ahead and opened the comic in question. It is credited to Marc Andreyko, writer. I was sure that these had been written by the same writers as the movie, but they weren’t, Maybe they were just consultants.

    It doesn’t really say how long it was between the time Superman left and Lois met Richard, but it surely was enough for her and Richard to both believe that Jason is their son.

    The delivery scene in which Lois gives birth to Jason makes that very clear as she clearly considers Richard to be the father in her dialogue.

    The dialogue in the scenes leading up to her meeting Richard do make it clear that she waited and waited and waited for Superman to return, and dialogue set five years later makes it equally clear that even then she was still waiting for him.

    Do keep in mind one thing, Richard and Lois NEVER got married, and technically speaking they never really had a son at all since Jason is Clark’s son, not Richard’s.

  • Bic

    He’s Superman, he does six impossible things before breakfast. Then again, I would hope he would have better things to do than check on Lois’ cell division.

  • http://nailsin.mysite.com nailsin

    Of course I saw the movie. How could I criticize something I didn’t see? And bad scenes are just as memorable as good ones.
    She didn’t wait for Superman she hopped in the sack with Richard soon enough after the conception of super baby. It’s the only way she could mistake Richard for the father. Pregnancies only last a certain amount of time and there’s only so long to go before she would know she was pregnant.

  • http://twitter.com/HeroicTStudios Michael Sacal

    Exactly. People get their panties in a twist because he “stalked” Lois, but then complain that he didn’t X-ray her womb to make sure she wasn’t pregnant before he left for six years.

    Should Superman go around x-raying women’s private parts after he sleeps with them?

  • http://twitter.com/HeroicTStudios Michael Sacal

    Agreed, but the comic does make it clear that she was still “waiting for him” even long after their son was born.

    Richard was clearly the rebound guy.

  • Mad Jesse

    After reading a bunch of these comment I’d have to say a lot of these arguments have a strong and valid point. However, as a die hard Superman fan I think the problem with the film was simply two things. 1. The general public (since everyone knows Superman) were lost in the film timeline (its being a prequel) 2. The world threat which Superman was here to save the day lacked resonance with today. In older films in the presence of cold war this was relevant. Superman needed to fight a villain more contemporary ( even if that was the machinations of lovable Lex Luthor).

  • http://twitter.com/JasRitcheyIII Jim Ritchey

    A prequel to what? Are you writing about the Singer film? It was a poorly contrived sequel–a smoothed over retcon, with a 20 year gap. Frankly, the plot could have worked. It didn’t because it was dumbly written, not because it’s outdated. Spacey was perfect for Luthor, and did the best he could–but if he’d been given material that wasn’t ‘by committee’ nostalgic fanwank for idolaters of the original movies (that didn’t come off as if written by teenagers), he could have been in a good film, as well.