The Best Prose-To-Screen Adaptation Ever? Vote!

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The Best Prose-To-Screen Adaptation Ever? Vote!  

As we commiserate the end of the Harry Potter series as well as the end of the first season of HBO’s Game of Thrones, a thought occurred: What’s the best screen adaptation of a genre novel so far? Have your say after the jump.


Note: There are some obvious choices not listed above, because (a) I didn’t want to have too many options, and (b) Blade Runner aside, I actually kind of dislike all of the Philip K. Dick adaptations, so no Total Recall or Minority Report for you, readers. Well, unless you put them in as write-ins. Oh, and there’s also option (c), that I just plum forgot about some classics. Again, use the comments to tell me what I missed.

  • Isgard The Terrible

    A Clockwork Orange, clearly.

  • Isgard the Terrible

    Like many others, missed the genre thing. Though you could argue Clockwork Orange is sci-fi.

  • Finn

    Shawshank Redemption without a doubt.  Almost word for word.

  • TuftyW23

    Fight Club

  • Scavenger

    Princess Bride, most definite.

  • madmanmax

    FIGHT CLUB!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

  • bazell

    K-PAX

  • Bret

    really surprised so many are saying Fight Club, especially over the likes of LOTR, Jaws, Shawshank. Fight Club is a good movie, but come on, it’s no classic.

  • http://www.facebook.com/strivearth Zen Strive

    No love for “Little Women” adaptation?

  • http://www.facebook.com/strivearth Zen Strive

    A Song of Ice and Fire series are not a fantasy novels
    it’s gore, pretentiously adult novel masqueraded as fantasy novels with minimal fantasy and maximal “Adultness”

    LOTR series are indeed, not nicely written and bore at a time, but it’s pure fantasy, Tom Bombadil, Witch-King, Elves, and all.

  • Atomic Kommie Comics

     From Russia with Love by Ian Fleming

  • Mike

    LOTR for me, hands down, especially now that i’m over the omission of Tom Bombadil (and sort of agree with it).

    300 anyone? Great genre novel to film adaptation.

  • Scottoman2

    Hard to put 2001 on there since the book and movie were produced at the same time by the same creative team.  The book came out of the screen play which went back into a screen play then the movie.

  • nik

    I feel no shame in saying that the film is actually BETTER than the novel.  And the novel is great.

  • Jmcreer

    Jaws the film bears little resemblance to Peter Benchley’s novel (which is excellent BTW) so I wouldn’t call it a good adaptation

  • Jmcreer

    Jurassic Park is a fun movie – but it’s an absolute disgrace how badly adapted the book was.  Fingers crossed HBO get a chance to do a good adaptation.

  • Jmcreer

    My thoughts exactly – unfortunately I was somewhat bored watching the film because there was little difference with the book, hence no surprises.

  • Jmcreer

    McMillan hasn’t specified which genre he’s talking about anyway so it doesn’t matter.  All he’s identified are best written prose to film adaptation.  As a result any type of written prose to film adaptation applies.

  • Alan Stanwyck

    Fletch.

  • Cjorg2

    Genre is the term for any category of literature or other forms of art or culture, e.g. music, and in general, any type of discourse, whether written or spoken, audial or visual, based on some set of stylistic criteria.  Graeme hasn’t specified any specific genre apart from prose to film, so anything goes.

  • Nataniel Costard

    Are you really talking about the amazing film by Trauffaut? Or is there another Fahrenheit adaptation I don`t know? Julie Christie, for grife`s sake!

  • Nataniel Costard

    Really? Like “The Third Man”! I didn`t know that, thanks! Anyway, Kubrick still managed to transform good to average books like The Shining, Eyes Wide Shut or the mentioned Barry Lyndon into incredible pieces of art, in my opinion.

  • Bilious

    That’s about as narrow-minded a view of “fantasy” as I’ve ever come across. Not that I don’t think Martin suffers from a good dose of having his head up his own arse, but it does not take  Elves to make fantasy. You could try looking up a definition of the genre, or even – given that it is a purely marketing distinction from other forms of fiction – go look at the shelves in a fucking bookshop. Twat.

  • Seth Frisbie-Fulton

    Rosencrantz and Guildenstern are Dead.   Glengarry Glen Ross.   Both are plays adapted to film that had strong involvment with their original writers.

  • Hugo Sleestak

    How do you take a novel from around 1912 and make a good film out of it? You film it in 1918 and you call it “Tarzan of the Apes,” starring Elmo Lincoln. I’ve always had a suspicion that Hal Foster used some stills from the film for the first comic adaptation in 1929. The movie is quite a bit more faithful than my second favorite Tarzan movie, “Greystoke.”

    http://www.archive.org/details/TarzanoftheApes1918AndyDivx

  • Chronomaxx

    The Outsiders.   Costumes are as described in the book.  Dialouge can be read from the book as the movie progresses.   Watch the COmplete Novel cut and it is almost perfect….

  • gaylordfocker

    Michael Chrichton’s Jurassic Park! He wrote his own script! It was a good movie.

  • stealthwise

    Of course!

  • Christopher Ware

    The Princess Bride

  • Brian from Canada

    The Joy Luck Club. It raises the economic level of the characters and adds a scene or two, but it’s accurate to the book in terms of where the characters are all in relation to each other.

    But — if you want to stick with “genre” — I’m surprised Graham didn’t nominate Star Wars, since it was published as a novel before the film.

    Chronicles Of Narnia: The Lion, The Witch And The Wardrobe edited one small scene’s lines but is otherwise quite accurate.

    And 300 should be there too. Granted, it was a copy of a film based on an ancient text, but it’s still pretty accurate to the graphic novel.

  • Jeff Pedigo

    Fight Club. Easily.

  • Ger

    L.A. Confidential.

  • Josh in OR

    Peter S Beagle’s THE LAST UNICORN is a PERFECT example of how to translate a book to the screen.  As a child, I grew up watching this move and remember being utterly enthralled by the visuals, the dialogue, the songs…and then, when I finally found a copy of the book, I was struck by just HOW faithfully it had been adapted to the screen. 

    Hands down, no other movie I’ve ever seen has been SO faithful to the source material. 

  • http://twitter.com/tubatleastwice rawn gandy

    Fight Club is one of the rare movies where it is better than the book. While the book is good, the movie takes the ideas presented and organizes them better and presents a better ending.