Why Star Trek Might Not Work For Today’s TV Execs

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Why <i>Star Trek</i> Might Not Work For Today’s TV Execs  

For those of you just joining us, yesterday I wondered why we didn’t have a new Star Trek television show on the air already, before suggesting that, just maybe, such a show wouldn’t work on modern television anymore. Pick your appalled, disagreeing jaws off the ground; here’s where I explain what I mean.

I’ve been embarrassingly addicted to rewatching Star Trek: Deep Space Nine on Netflix Instant since it was added to the service a couple of weeks ago; I’m almost finished with the first season already, and loving every minute of it. But something that keeps occurring to me during almost every episode is how unlike modern television it is. If Deep Space Nine was still on the air, it’s very unlikely that it’d manage to be the same show that it was back then.

For one thing, it’s so wonderfully leisurely at times; pre-credit teasers take their time getting to the point, and even within episodes, scenes can unwind at a surprisingly slow pace, filling the space with character moments or throwaway technobabble for the hardcore audience. Compare and contrast that to television today, where everything has a ratcheted-up intensity and meaning – There’s rarely a scene that doesn’t have some kind of “significance,” usually offered with a breathtaking lack of subtlety (Not, admittedly, that Trek was a subtle show, in any of its incarnations, I admit).

Also, all of the Treks – with the possible exception of Enterprise – had a wonderful schizophrenia about their tone that is very rare on television today; you would never really know, tuning in, whether you were going to see a drama or a comedy, or whether the drama was going to be of the “This is an allegory for a real-world situation and we shall all be making a Very Serious Point” variety, or the “We’re trying to make a suspenseful thriller, so expect long looks punctuated with stirring soundtrack strings” one, or even the “Want an action movie in less than an hour? We’ll do our best, but don’t judge us too harshly” attempts. What was weirdly wonderful about Trek was the play-of-the-week nature of the show, even when there were longer-running continuities running through episodes, and television – especially genre television – has lost that variety; normally shows stake out their tone early on and stay there, hoping to ensure loyalty through stability and knowing exactly what you’ll get when you switch on.

There are some exceptions to that; Castle and, to a lesser extent, Bones both strike me as shows that aren’t afraid to shake things up every now and again. They’re both procedurals, as well, which is maybe the last way in which I worry that Trek would be changed for a modern audience: Star Trek is a procedural show. It’s not about the inner lives or love lives of its characters, except as color commentary between the weekly plots, and there days, network genre television comes with a large helping of emotional drama, to “humanize” the characters and soften the show’s appeal to those who may not be into “science fiction” but could maybe get into a soap opera with some weird things in it (See the success of Lost as leading that charge, I think).

All of which is to say, if we did get a new Star Trek on television, I’d worry that it’d come retooled for what executives believe today’s audiences want: A series with a long-running storyline in every episode, a consistent tone and a focus on the character’s private lives when they’re not on the bridge, where every scene counts towards a larger story that’d be planned to run through many years. And, while that could be a great show, I’m not so convinced that it’d be a great Star Trek show. But what do you think?

  • Anonymous

    I would not mind the mystery, Star trek episodes a lot of them started of with a mystery and either end that episode with the mystery solved or remained unsovled, not every episode was like this but a lot were. 

    I do not see why this concept cant be stretch out over multiple episodes. I agree about the personal backstory, ST: NG  had the right mixed for me, we had a pretty detail back story for most of the characters, and occasionally we see into there personal lives, just s small glimse every now and again. Stargate Universe also had the right mix for me. BSG, well that series was a utter messed by the end of show and that being kind. Caprica had way to much about there personal lives and not enough story. 

  • David Wolff

    I think we haven’t seen a new Trek because Enterprise just wasn’t that popular and no one has a new idea.

    Personally, I’d like to see something that’s a cross between the original and the X-Files. Have a crew that goes out and ‘cleans up’ a lot of the unresolved ideas from the earlier series. A Special Missions science vessel (but one that can still kick butt). For example, that one with the green glowing blob alien from the orignal series that in a novel in the EU was supposed to be a Q. And what really are the Q? Just pick bizarre, unresolved stuff from the previous shows and send this crew to go figure it out. You could certainly do original ideas where the crew investigates ‘other’ ships’ mysteries too, but I think it would be a cool way of tieing the whole universe together by finishing up old dangling plots. Basically, every week is a just weird mystery that the crew gets involved in. They seek this stuff out. Like Star Trek meets Planetary. Star Trek/X-Files/Planetary would be awesome!!! Dark, creepy and mysterious. Weird and wonderful. Live up to the “where no one has gone before” banner.

    The other issue as I see it is the crew. TNG was brilliant in the cast they came up with and the original is of course classic, but DS9, Voyager and Enterprise had some of the most boring crews imaginable. Enough Vulcans already!

  • RunnerX13

    Couldn’t agree more except the bit about DS9.  The DS9 crew was the most realistic cast of all the series.  In TNG and Voyager, everyone was friends because everyone got along so great, snooze.  Yet in DS9, friendships developed naturally, and not everyone got along.  I loved how Sisko clearly did not like Bashir.   

  • Starwarsguy

    You Star Trek kids got tons of episodes to watch, while i get 3 cool movies that are 30 years old, and 3 absolute abominations.  Count yourselves lucky.

  • bree rubin

    We shall never see the amazing likes of TOS again.

  • Alan Smithee

    It’s already on the air. It’s called Torchwood.  Captain Jack Harkness is as uniquely a hambome classic leader as James T. Kirk.  The themes of morality–literally life and death–are similar.  A Star Trek TV series would be crushed by the weight of the legacy. 

  • V kotecha

    I always felt battlestar was the Star Trek serious Enterprise promised to be

  • V kotecha

    series not serious

  • Anonymous

    And yet, none of your special pleading addresses the fact that none of those series have involved new timelines or reboots of the franchise’s history!

  • Anonymous

    Really having trouble with the concept, aren’t you?

    Ask yourself, how old was Bart Simpson in Season 1 and how old is the same character 23 seasons later? How many specific real world events were referenced along the way? (I know people who went from being childless to grandparents in the time that show has been on.) The show no more has a single nailed down starting point in 1989 than Peter Parker could have been a teenager in 1962 and scarcely a decade older today. He stopped aging and started floating some time in the early 70s. Once the character was no longer a full time student it became easy to keep things vague.

    The same goes for South Park. Early episodes referenced events that for the current season took place before the kids were born. This is what is meant by a floating time line. Things just float along and stories with a fixed date in history are ignored or retconned ala Flash Thompson going from being a Viet Nam vet to someone who wasn’t even born yet when the last US force departed that theater.

    There is another problem of real spans of history expanding to encompass more and more stories if the venue remains valuable. Those you have MASH running far longer than the war it supposedly depicts, or Sgt. Rock in a WWII that is seemingly endless as the comic keeps selling.

    But this is no big deal for comics or animation. You can change out personnel repeatedly and still say it’s the same product. Making a TV show where you get through a decade with the same actors is vastly harder and thus very rare. In an ensemble cast you can move in new characters as older actors move on, so long as no one of them is needed to make the show work. Tough but it has been managed, mostly by soap operas. Usually a show doesn’t last long enough in the ratings for such considerations to matter. Getting sustained ratings and a primary cast willing to stick around, as in Fraser, is very rare indeed.

    Typically, things start to get difficult just after the time the big bucks from syndication start to happen, around the fifth year. First is the difficulty of a show retaining an audience that long. Second is the cast getting antsy and requiring larger infusions of cash to stay. Since the former doesn’t happen that often, the latter tends to make for stories in the press, like the Friends cast demanding awesome sums per episode to keep cranking out the episodes and enhancing the value of the syndication package. (There is so much Simpsons material now, Fox has floated the idea of a dedicated Simpsons channel on cable/satellite systems. There are enough episodes now to go almost 11 days without a break or repeat. Amazing.) So you get Ray Ramano being the highest paid man on TV, followed by Charlie Sheen after Ramano’s show finally packed it in just ahead of Peter Boyle’s death.

    Five to seven years is the upper limit for the majority. (Contracts for lead roles, often listed also as Executive Producers to give them an ongoing piece of the action if the show continues without them ala CSI, usually run five years in pursuit of the syndication fulfillment.) Enough for the really big money but not so much everybody involved feels like they lost their lives to this pursuit. Past that is when you get to the very short list of shows that became notable for their longevity even to those who never watched.

  • Shaun

    DS9′s first season was NOT atrocious. A few clunkers, sure, but for crying out loud… Go back and try to watch the first two seasons of TNG, or ANY season of Voyager, and then tell me again about DS9′s first season. The pilot episode was great, and there were plenty of good or decent ones after that, several of which are actually pretty important in terms of laying the groundwork for the series and/or developing the characters.

    Also… DS9′s first season ended with two GREAT episodes: “Duet” (one of DS9′s best episodes ever, even one of Trek’s best episodes ever), and “In the Hands of the Prophets.” I’ll put those two episodes against anything else DS9, or any of the other Treks, ever did. 

    If anything, DS9 kinda fell apart in the seventh and final season… It wasn’t as bad as most of TNG’s last season was, but not up to the level of the previous seasons. The ending was a bit disappointing.  

  • Shaun

    David, what are you talking about? There were NO Vulcans in the crew on DS9! Hell… I’m trying to remember if we ever saw any Vulcans on the show, period! I think we did, but they were few and far between.

    Clearly, you didn’t see much of DS9, and you’re probbly one of those people who gave up on the show far too early on and never what saw at an amazing show it turned into. If anything, the DS9 crew became the most complex, diverse, and interesting of any the Trek crews. They had greater depth and sophistication than the other crews, and they were the most realistic, well-rounded of the bunch. They even did comedy really well, in spite of being the “dark” Star Trek.

    By comparison, the TNG cast was the dull one… Outside of Picard, Worf, and Data, what did we really learn about that crew? Not a lot. TNG was often great, but they didn’t take many chances on that show. DS9 did.

    I was no fan of Voyager, but to be fair, that show had one Vulcan in the cast. So again, what are you talking about?

     

  • Shaun

    Maybe you’re a fan of the wrong franchise then?

    Just kidding… I love the original SW trilogy too. I mean the ORIGINAL originals.

  • a fan

    No matter what is said, Star Trek has almost half a century’s worth of fans. That is an astounding fan base. They have to do another show some time. Come on, We are Begging you Paramount!!

  • http://twitter.com/puffmcmarkerson Shamus O’Doone

    Stargate Universe found its feet and got much better in their last 8 to 10 episodes after it was too late to save the show, after the cancellation was already announced. Makes me wonder who was holding it back trying to make it fit their vision and lost interest in the show after the Sword of Damocles came down?

    Next up to suck us in and either be prematurely cancelled or throw up all over itself…Terra Nova.

  • Omegasaga

    I too loved DS9 and TNG  ( hated Voyager& Enterprise)      but how in anyway shape or form- was 2009s STAR TREK a bad movie much less a mess?

    It was simply an epic film.

  • Anonymous

    Yeap, all of which are the worse elements of those shows.

    As much as I love DS9 and the dominion war, star trek is not arc television.