We Get More Than We Deserve:
The Top 20 Shows of 2011-2012

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We Get More Than We Deserve: <br />The Top 20 Shows of 2011-2012  

What was the highest-rating show of the 2011-2012 season? I’ll give you a clue: It’s not American Idol. The full series rankings for the year have been released, and for those upset about their favorite shows being cancelled, there’s some fascinating reading to be found.

Firstly, the answer to my first question is Sunday Night Football on NBC; American Idol does do very well – it gets two places in the top 5 shows for its two weekly editions – but you’d think that NBC would do more promotion about the fact that its weekly sports show gets more viewers overall, wouldn’t you…? Actually, what’s odd about the top of the chart is seeing NBC so prevalent, with Sunday Night Football, The Voice (and its result show) and Football Night America all showing up in the top 15 – For all the common wisdom that the network is completely falling apart, that’s still something to crow about, surely…?

The full ranking for the year is available here, but here’re the top 20 shows of the year in terms of the all-important 18-49 age group demographic (AKA, who the advertisers, and therefore networks, actually care about):

1. NBC NBC SUNDAY NIGHT FOOTBALL
2. FOX AMERICAN IDOL-WEDNESDAY
3. NBC VOICE
4. ABC MODERN FAMILY
5. FOX AMERICAN IDOL-THURSDAY
6. CBS BIG BANG THEORY, THE
7. CBS TWO AND A HALF MEN
8. FOX X-FACTOR-WED
9. CBS 2 BROKE GIRLS
10. ABC GREY’S ANATOMY
11. NBC FOOTBALL NT AMERICA PT 3
12. FOX NEW GIRL
13. FOX X-FACTOR-THU
14. NBC VOICE:RESULTS SHOW
15. CBS HOW I MET YOUR MOTHER
16. ABC ONCE UPON A TIME
17. CBS NCIS
18. CBS SURVIVOR: SOUTH PACIFIC
19. FOX FAMILY GUY
20. CBS MIKE & MOLLY

On first blush, CBS should feel ridiculously happy with its Monday night mediocre comedy block, which manages to make it into the top 20 in its entirety (Even Mike & Molly), which… proves that people really want to laugh on Monday, I guess. That or that people are really happy with terrible comedies. Also interesting is seeing the massive success of new shows 2 Broke Girls, New Girl and Once Upon A Time – Remember when people were concerned that making shows with a core female demographic appeal might be a risky move? Apparently they had nothing to worry about.

(In case you’re wondering, in terms of total viewers the chart has some interesting changes, with all of the CBS comedies dropping out, as well as Grey’s Anatomy, Family Guy and New Girl, replaced by procedurals like CSI, The Mentalist and Castle. Now we know who watches those shows: Your parents and grandparents.)

Further down the chart, there are some interesting discoveries: Fox’s cancelled Terra Nova makes it in at #24, which puts it higher than NCIS: Los Angeles, The Office, Person of Interest, The Simpsons and many other shows that made it back next year; guess that it was just too expensive to keep around. Similarly, the cancelled Alcatraz pops up at #30, one place higher than House (and two higher than Person of Interest), suggesting that it may have lived on at another network.

Across the board, you can see that Fox’s cancellation threshold is higher than other networks – Aside from Fringe, which charts so low that you pretty much have to think that Fox renewed it because they wanted to keep JJ Abrams friendly after offing Alcatraz (It’s at #105 on the chart, the lowest scripted show on the network other than Breaking In) – and that whatever CBS and ABC are doing, it’s definitely working out well for them; even relative failures on those networks like the former’s Rob chart high enough to put better shows on other networks to shame.

It’s also a lesson in implied economics. How can The Sing-Off, which ranks at #97 on the chart, be renewed when the higher-rated Playboy Club was yanked off the air by the same network? Well, clearly because it’s so much cheaper to produce.

There are some depressing surprises in the lower results: NBC’s Awake and Chuck rank amazingly low, and it’s easy to see why shows like Charlie’s Angels or The Firm were pulled so quickly: People just weren’t watching them. That may be the main thing to learn from looking at which shows are actually being watched, and which aren’t – That, despite all the grumbling and moaning about what makes it to the air, we’re actually kind of lucky that networks aren’t only chasing the ratings. Because, if they were, for real…? Prime time television would just be hundreds of Mike & Mollys and Two & A Half Mens and reality shows and little else. If nothing else, give the networks credit for offering some variety.

  • Jim H.

    Dude, just because you don’t like a comedy doesn’t mean it’s mediocre or terrible… that’s just your opinion, and judging by the ratings you yourself are “reporting” on, it’s quite the minority opinion.

  • http://twitter.com/DaVeO52 DaVeO52

    No, for once I agree with Graeme. Two and a 1/2 and BB Theory are mediocre. I love comedies but the tired format of these sitcoms put me right off. High ratings? Sure, whatever, America grew up with the same type of comedy since the 50′s with I Love Lucy (which I’d much rather watch then the previously mentioned). So why should networks change their formats if it works? For God’s sake they still use laugh tracks. Laugh Tracks!
    Just because the masses tune in doesn’t mean it’s great material. It could just mean it’s what people are used to. Sort of like a relationship that has gone stale but both parties are too lazy to break it off.

  • uatu13

    Yeah, I have to agree too, this entire list, especially the “comedies”, if you want to call them that, are completely regurgitated dreck.

  • MasonMaurer

    The Playboy Club wasn’t canceled due to anything even remotely to ratings. It was yanked because a bunch of “concerned citizens” aka knee jerked morons who’d never watched the show and no nothing about it other than it had “Playboy” in the title, didn’t want ‘porn’ on TV. Fox cancels ANYTHING it’s viewers like(Terra Nova,Firefly). I’m surprised Fringe,Bones,and House are still on the air.

  • Scarletspeed7

     House isn’t.  Fringe won’t be after next year.

  • Lastnamecumbie

    Well the reason reality shows like the sing off stay on is because they have advertisement within the show and so no matter what rating it is the show will survive because they advertise within the show and that way people have to see those advertisements.

  • Lastnamecumbie

    Oh and fox sucks Alcatraz was an amazing show and ranked higher then some of those crappy shows that got renewed but this is fox where anything can get cancelled.

  • HopelessSavage

     House just went off the air, actually.

  • Thalia

    I loved 2 broke girls! :)

  • Kolymar

    Interesting.

  • Kolymar

    The fact that a lot of people like something doesn’t make it good, it just makes it popular.

  • http://pulse.yahoo.com/_PVSNSJ4QGCEVMHTWL2TRHYQVXA Amy

    the Sing-Off wasn’t renewed…

  • CMM

     I’ve been recently thinking along the same lines.  If you have a show with an ongoing plot or subplot, the networks should make a deal that if it goes long enough, if not a full season, then if they feel they should cancel it, they should work with that shows producers to ask how many episodes do they need to wrap it up nicely without ridiculous gaps or jumps to the conclusion.  If not in an episode format, contract all involved to make that movie to do so while they are available and sets are there.

    Network:  “We are going to end the series.  Can you wrap it up in the episodes left to you?”  If not, then “How many do you need to do so?”  “Six?”  “OK, we’ll give you six to be done.”  Or, “We’re going to end it, but we can’t do more episodes, how do you feel about a final movie to wrap it up?”  The cast and crew can remain on for that provioded they are given enough of a heads up and such.  I would even allow a two-part movie to complete things, if necessary.

    The most important thing however, is that the networks should insure the show does have an end game to do this to begin with.  “Do you have an idea how this will end, if we need to do so early?”

    I would also continue a show to end through the spring or have it back for a summer wrap up.

    That all said, I do not think shows like LOST can work on network TV as an ongoing anymore, as it proved when it decided to fully tells its story without dragging everything out with filler episodes to do so as an ongoing.  I think networks need to start looking at shows like this as finite and ask creators to do it in as little as 13 to 18 episodes and be done.  If they require two or more seasons to fully tell a story, then a network needs to consider taking a chance and committing to let it run regardless of ratings.

  • Demoncat4

    at least the networks did try varity even though some things like lawer shows  they over did with the firm  and harrys law. both gone. plus not surprise both terra nova and alcatraz died for any thing sci fi like fox gets a hold of just to kill.

  • DrHiphop85

    Well one thing to consider is that networks usually tell up front how many episodes they are getting. Now if a show is cancelled mid-season that’s totally on the network. But if you get the whole 22, then a writer/creator should at least create a full enough story so that if it is cancelled viewers will feel as much resolution as possible, but leave just enough for a potential second season. Fringe directors had filmed two endings for Fringe from what I hear. One that would have concluded as much of the story as possible and another (the one they aired) in case they got more episodes. I think that would be the smart thing to do if I were a writer/creator.

  • Talebearer

    I wish network television would (or could) go the way of cable and non-U.S. programming (like most British shows I watch.)  Tell a STORY with an appropriate number of episodes.  If it’s a good enough story, tell the next part or an offshoot of the story for another season.  And so on.  Some of the best show’s I’ve watched have been four-, six-, or maybe twelve-episode “seasons” that tell a fantastic story with compelling characters.  THAT’S what draws me back to a second season.  I think our way of forcing a show to have 13 or 22 hours’ worth of story to tell in 45-minute chunks is part of the problem for scripted television:  not every story can be told in those parameters.

  • toddtr

    What no Glee?

  • http://www.facebook.com/people/Jeff-Mclachlan/747758431 Jeff Mclachlan

    The networks aren’t in the business of charity. Shows like Fringe or Community or whatever must be making them money somehow, either from Itunes, or dvd sales or whatever. And women have been the main audience for network tv for years. Outside of some cartoons on Fox, and football, men have very little that’s actually aimed at them on the big four networks. 

  • Cjorg2

    Adam Sandler is a perfect example of something incredibly popular, yet mind-boggingly crass, and unfunny.  Jackass is also another great example.  It proves that there are more people out there who desire mediocre and terrible entertainment than something interesting and challenging to the intellect.  I think Graeme’s right in this case.

  • Tae

    Sorry. 2 Broke Girls is as bad as it gets.

  • coalminds

    Will say for the  millionth time, all these nerds who whine about shows getting cancelled as if the networks don’t want their products to succeed.. grow up. You just don’t have any spending power, and downloading everything instead of watching it so you can skip ads might seem like a big “stick it to the man” moment for you but these shows aren’t free to produce. So go ahead, claim conspiracy, talk about how much better you’d be at running networks, pirate everything, and keep being shocked that the stuff you like doesn’t get made because they need room for a new reality show about fat people learning to sing.

  • Spag_Hoops

    And popular doesn’t actually translate to well-liked. The shows that people enjoy most tend to be more specialist interest, so maybe 2 1/2 men is lots of people’s 5th favourite show, and Fringe is watched by fewer people but is their favourite show. Some networks also carry out surveys on Appreciation Index, as well as ratings, and this can reveal a much different picture. And also Appreciation indices could be seen to be a better indicator of quality. It’s a pity they rarely publish them though.

  • Spag_Hoops

     Or at least a TV movie or two to wrap up any unresolved plotlines. Just watched Ark of Truth, where they bring to an end the stuff at the end of the Stargate SG1 series. Seemed to do a good job of it, and as you say, satisfies the fans without costing the studios too much.

  • http://www.youtube.com/celostv Celos Beats

    I hope New GIrl or 2 Broke GIrls dont get cancelled

  • Dark Jedi

    @kolymar your absolutely right of course. Popular thing: attending mob hangings, unpopular thing: helping the poor and needy.

  • Dark Jedi

    We like 2 Broke Girls too, our family is exactly in their main demographic and we all think its hilarious

  • rpriske

    Wow, the tv viewing public has terrible taste. Not a single scripted show worth watching in the top 20… (and only 1 non-scripted show, and even that is pretty borderline…)

  • Xenos

     Even I confess I watch it as a guilty pleasure only to look at Kat Dennings’s sassiness and boobs.  Oh and make fun of hipsters.. but even there it kinda falls flat.. unlike Kat. And if I needed to make laugh of hipsters.. I could just go anywhere in my college town (..or look in the mirror).  So rally it’s just those two.. three? .. reasons to watch that uneven show.

  • Xenos

    New York Magazine just had a whole article in a special issue about television about how completely broken the ratings system and the way pilots are chosen is. It has Mrs Don Draper on the cover.  Interesting read.

    ah. it’s even online..
    http://www.vulture.com/2012/05/tv-pilot-focus-groups-gavin-polone.html

  • Nathaniel Richmond

    It’s not surprising that “Sunday night football”
    took first place, but I am surprised that “Family Guy” fell to last
    place.  I’ve wanted to watch “Modern Family” since it came out
    but I’m never home when it comes on, so I decided to get a Hopper. A Dish
    co-worker told me that the Hopper PrimeTime Anytime feature automatically
    records my CBS, NBC, FOX and ABC prime time shows everyday in HD. I can finally
    watch all the prime time shows I’ve wanted to see without scheduling any
    timers! I’ve also learned that the Hoppers Auto Hop feature allows me to skip
    my PrimeTime Anytime commercials.

  • http://pulse.yahoo.com/_XNSG46XGRGJCS6V3ZLCZ7YXWEY Ian

    That show is ADHD garbage.  What I mean by that is the creator can’t keep storylines straight or follow through with them, or keep characters personalities consistent.

  • http://pulse.yahoo.com/_XNSG46XGRGJCS6V3ZLCZ7YXWEY Ian

    I agree with that half-way.  I feel British shows make too few programs per series (average 6)while American shows pump out too many per season (average 22).  I think a better number to concentrate more on quality over quantity for American audiences would be 16 episodes a season to tell a story.