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TV URBAN LEGEND: An episode of Star Trek: The Next Generation was never filmed because it featured two gay crew members on the Enterprise.
One of the few positive aspects of the news that J.H. Williams III and W. Hayden Blackman were leaving Batwoman over editorial differences with DC Comics was that there doesn’t seem to be any problems at the publisher with Batwoman’s sexuality. To wit, DC squelched plans for Batwoman to get married, but everyone involved agrees that was just part of the company’s stance on characters getting married rather than a problem with the idea of two gay characters getting married.
It’s good to know that in 2013, that’s not the issue it was 30 years ago (or heck, even 10 years ago). Naturally, then, you would imagine that as time went by, views on homosexuality would become more and more accepting. That was certainly the vision of Gene Roddenberry, who created Star Trek in the 1960s and Star Trek: The Next Generation in the 1980s. One of the main concepts of Star Trek is that in the future, all the silly prejudices of the modern era are gone. In the original episode, which aired during the Cold War, Roddenberry had a Russian serving on the Enterprise’s bridge. During the Civil Rights Movement, he had the first interracial kiss on prime time television (albeit a forced kiss, but still, baby steps). By the time the ‘80s rolled around, Roddenberry used the first season of Star Trek: The Next Generation as commentary on all sorts of issues of that era. In fact, in the show bible (a document written by Roddenberry that would serve as an overall manual for how the show should be written), he notes:
We now have more freedom and story latitude, because our series by-passes the networks and is made directly for television stations. As before, without neglecting entertainment values, we invite writers to consider premises involving the challenges facing humanity today (the 1980’s and 90’s), particularly those which interest the writer personally. The new Star Trek episodes will continue the tradition of vivid imagination, intelligence and a sense of fun, while still assessing where we humans presently are, where we’re going, and what our existence is really about.
As it turned out, however, the one area where the challenges facing humanity today couldn’t be adapted into a Star Trek: The Next Generation episode is when the topic was homosexuality, even if the writer was a Star Trek legend.
David Gerrold began writing for the original Star Trek while he was still in his early 20s. His most notable achievement on the original series was the classic episode “Trouble With Tribbles.” He continued working on Star Trek with the animated series, and he was an early hire for The Next Generation (indeed, many of Gerrold’s thoughts on what the new series should be like were incorporated into Roddenberry’s show bible, including the idea of having a Klingon be a crew member and that the Captain would rarely go on away missions, something that always irritated Gerrold about the original series).
Gerrold and Roddenberry made an appearance at a science fiction convention right around the time the new series was announced, and while there, Roddenberry made a statement that Gerrold took to heart. Gerrold recalled in an interview with StarTrek.com:
One fan asked, “Well, are you going to have gay crewmembers, because in the 60’s you had Black and Asian and Latino, etc.?” Gene said, “You know, you’re right. It’s time. We should.” I was sitting on the side, taking notes, of course. So there it was: Gene had said it in front of an audience of 3,000 people in November of 1986. I was a little bit surprised and delighted that Gene was willing to go there. We got back to L.A. and Gene said it again in a meeting, and somebody in that meeting – I won’t say who – said, “What, we’re going to have Lt. Tutti-Frutti?” Gene balled him out and said, “No, it’s time. And I promised the fans we’re going to have gay characters.”
So Gerrold wrote an episode titled “Blood and Fire,” which was an allegory for the AIDS crisis, as the Enterprise comes across a ship whose crew had been killed by Regulan bloodworms. These bloodworms are lethal creatures, and all ships infected with the creatures must be destroyed on sight. In the episode, Gerrold introduced two gay crew members. He recalled:
There were two characters who were not very important to the story, but they were the kind of background characters you need. At one point Riker says to one of them, “How long have you two been together?” That was it. The guy replies, “Since the Academy.” That’s it. That’s all you need to know about their relationship. If you were a kid, you’d think they were just good buddies. If you were an adult, you’d get it. But I turned in the script and that’s when the excrement hit the rotating blades of the electric air circulation device.
The major objection was that because Star Trek: The Next Generation was syndicated, the show might air in the afternoon in some markets, and that this was too controversial of an issue. Considering that was just five years after a CBS executive explained a casting change on Cagney and Lacey to TV Guide (which I detailed in a TV Legends Revealed a while back) by explaining “We perceived them as dykes,” you can only imagine the likely perception of depicting gay characters was by Paramount executives.
Ultimately, the episode never aired, Gerrold left the series after the first season (“Blood and Fire” never airing played a part, but it seemed there were a host of other issues, including conflicts with Roddenberry and Roddenberry’s attorney Leonard Maizlish, and opportunities on a proposed science fiction miniseries for CBS with producer Daron J. Thomas). While Roddenberry once again promised before the fifth season that there would be gay members on the Enterprise, he passed away before he could implement this decision. No gay crew members ever appeared on Star Trek: The Next Generation (or any of the other Star Trek series). Longtime Star Trek Producer Ronald D. Moore commented on the show’s handling of gay characters a couple of years ago:
We’ve just failed at it. It’s not been something we’ve successfully done. At Star Trek we used to have all these stock answers for why we didn’t do it. The truth is it was not really a priority for any of us on the staff so it wasn’t really something that was strong on anybody’s radar. And then I think there’s a certain inertia that you’re not used to writing those characters into these dramas and then you just don’t. And somebody has to decide that it’s important before you do it and I think we’re still at the place where that’s not yet a common – yeah, we have to include this and this is an important thing to include in the shows. Sci fi for whatever reason is just sort of behind the curve on all this
As a sort of victory, however, Gerrold later directed his “Blood and Fire” script (with some adaptations by him) for the fan-produced Star Trek site Star Trek: Phase II in 2008. You can watch the episode here.
The legend is …
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