In anticipation of the BBC Radio 4 adaptation of Neil Gaiman’s Neverwhere, Spinoff’s Anna Pinkert makes a case for U.S. stations to embrace the serialized radio drama again.
The Hollywood Reporter’s review of Hansel and Gretel: Witch Hunters describes the film as “tacky pastiche” that’s missing “a genuine sense of wit,” with an “awfully thin” script. “There isn’t much here to entice anyone with a bit of maturity,” it says – but the sub-heading for the review suggests that the “campy, violent version of Grimm’s fairy tale should entice fanboys.” Isn’t it time that everyone gave fan boyishness a break, already?
The news – still officially unconfirmed at time of writing – that JJ Abrams will direct the next Star Wars movie sent the Internet insane yesterday, with social media filled with jokes about lightsabers and lens flare and excitement about the prospect of the director taking on the most beloved of geek culture, but few asking what seems like an obvious question: If true, what does this mean for Star Trek?
If there’s one thing that a quick look at the current state of television and movies will tell you, it’s that there’s not much need for original ideas when there’s so much out there ready and waiting to be adapted, updated or just outright ripped off. That’s why we’ve decided to help in that process with a series that offers up some of the things we’d like to see being brought to big screen or small. This week’s suggestion? Avengers Academy.
I’m just going to come right out and say it: The whole thing about Jimmy Olsen being reinvented as Jenny Olsen for Man of Steel? I am not only in favor of it, but I wish that other superhero movies were willing to do the same kind of thing.
And so, it’s all over: Fringe finished its five year run on Friday with a double-episode, “Liberty” and “An Enemy of Fate,” bringing an end to the Weird Science saga – and specifically, the plot about the Observers’ occupation of a future Earth. Did it all end in tears? Were all questions answered? Unsurprisingly, we have five thoughts about the way that everything ended up.
Tomorrow sees the final episode of Fox’s Fringe, bringing to an end the five-year run of the at-times spectacular, at-times infuriating science fiction series. As the fourth season ended last year and we were told that the final year of the show would take place in the future setting of the episode “Letters of Transit,” I had five questions I wanted answered in the final year. But did I get the answers that I wanted?
Amid all the furor over the concept of “cord-cutting” and replacing traditional television with the Internet, studios and networks have quietly started offering early Internet release of shows online. Is this an attempt to get a jump on the world of tomorrow, or simply a sign of old television surrendering to new television?
It’s the penultimate episode of Fox’s Fringe, and now that we now the identity of Donald, perhaps it’s time that even more revelations started to flow about the various mysteries of this season, no? Then again, maybe it’s just time to raise more questions… Here are five from “The Boy Must Live”!
If Guillermo del Toro’s Dark Universe really does herald a spate of DC movies that draw from characters connected to the superhero universe without being straight-up superhero movies, then why stop with the one-time Vertigo/Justice League Dark characters? Here are five more possibilities for Warners and DC Entertainment to consider.
And so, the Oscar nominations have been released, unleashing waves of frustration across the Internet that [Your Selection Here] was unfairly snubbed, or that the Academy seems to believe that [Your Other Selection Here] is worth the time of day, never mind an award. But looking at the nominations as they stand, who and what actually manages to make the cliche “Just being nominated is an award in itself” come true …?
The (somewhat surprising) revelation that Guillermo del Toro really is working on a movie that teams DC Comics’ supernatural characters like Zatanna, John Constantine, Deadman and Swamp Thing isn’t just a tease for what would likely end up being a good movie, it’s a sign of a way that DC could avoid looking like they’re attempting to follow in Marvel’s footsteps a little too closely.