ABC gave a series order to the documentary-style “Muppets” in a flurry of renewals and pickups that includes a thriller from Shonda Rhimes and an oilfield drama starring Don Johnson.
By focusing on the legacy of Captain America over its more progressive plot points, Agent Carter’s finale falters even as the show remains a success overall.
The composer talks with SPINOFF about hitting all the right notes with “Marvel’s Agent Carter” and “Galavant.”
Though it lags in comparison to previous installments, the penultimate episode of Agent Carter delivers a shocking finale that leaves fans wanting more.
As Russian double agents grow more deadly and the S.S.R. zeroes in on one of its own, a fugitive Agent Carter proves why Marvel’s latest is the best superhero TV has to offer.
The return of the Howling Commandos and the birth of the Red Room are only window dressing for Agent Carter‘s sharpest, most revealing character episode yet.
As Marvel pulls out the oddest Captain America cameo imaginable, Agent Carter straddles the line between real period drama and fantasy action epic.
The Marvel miniseries sets aside its spy theatrics for the most part but makes up for it with killer character work as Agent Carter gets complicated.
ABC will rebroadcast of the first two episodes of the new Marvel miniseries back to back on Saturday.
With its first two episodes, Marvel’s latest TV show quickly establishes a tone and premise bolstered by Hayley Atwell’s fan-favorite take on Agent Peggy Carter.
Geoff Johns defends DC Entertainment’s wide approach, while Marvel doubles down on the connections to its film universe as superheroes prepare to do battle on the small screen.
The Marvel veteran explains what she’s most excited to explore in the first season of Agent Carter, the 1940s spy thriller.