Following news that plans are moving forward with a Blade Runner sequel, written by Green Lantern’s Michael Green, Spinoff’s Anna Pinkert makes a case for leaving some films just the way they are.
Ahead of tonight’s Oscar ceremony, Spinoff’s Anna Pinkert imagines what the nominees for best picture might have looked like over the past five years if the Academy actually embraced science fiction and fantasy.
Artist Brendan McCarthy talks about similarities between Waterworld and his 1983 comic “Freakwave,” how they led to him co-writing and designing the upcoming Mad Max: Fury Road, and his possible influence on Inception.
Watching the latest “Everything Is A Remix” video the other day, I realized that we’re probably due for another Matrix sometime soon. By that, I don’t mean another installment of the Wachowski brothers’ uber-successful sci-fi series – I think we’re all done with that one, at least for awhile, right? – but another movie that seems to realign people’s sensibilities about genre cinema, and what it’s there for.
Oscar winners can be hard to predict, depending on the whims of the Academy and political maneuvering as much as anything else. But what happens when you introduce box office take into the running? Here are what would take home the trophies if it were purely based on money.
Christopher Nolan’s sci-fi thriller and Frank Darabont’s horror comic adaptation topped the film and television fields in the nominations for the 37th annual Saturn Awards.
If last week’s Inception parody on South Park seemed a little familiar, it could be because you’d already seen parts of it online; the creators of the Comedy Central show have apologized for accidentally stealing lines from a viral video.