Fox unveiled its 2013-14 film slate, which includes the sequels to X-Men: First Class and Rise of the Planet of the Apes — called Dawn of the Planet of the Apes — and the 3D re-release of Independence Day, dubbed ID43D.
Fox has tapped David James Kelly to rewrite the script for director David Slade’s Daredevil, based on the influential 1986 “Born Again” storyline by Frank Miller and David Mazzucchelli.
Fox CEO Tim Rothman hints that the studio is looking beyond X-Men: First Class and The Wolverine, and teases that an announcement will be made this summer.
Fox will kick off production in January on the sequel to X-Men: First Class, heading off a scheduling showdown with Lionsgate over the availability of The Hunger Games star Jennifer Lawrence.
Taking time out from Django Unchained, writer/director Quentin Tarantino assembled a list of his favorite movies, screenplays and directors of 2011. See how it stacks up to yours.
Captain America: The First Avenger, X-Men: First Class, Thor and 12 more are up the Academy Award for Achievement in Visual Effects.
Sherlock Holmes and Abraham Lincoln: Vampire Hunter screenwriter Simon Kinberg has been hired to pen the sequel to Fox’s X-Men: First Class.
James McAvoy discusses next X-Men: First Class installment, saying he’s spoken with director Matthew Vaughn about details.
Teasing the film’s Sept. 9 DVD release, Fox has unveiled a deleted scene from X-Men: First Class that finds Michael Fassbender’s Erik Lensherr not in Magneto’s helmet, but in a wig, dress and go-go boots.
As the famous saying from screenwriter William Goldman goes, when it comes to the movie industry, nobody knows anything. It’s been taken as a truism for years now, but this may have been the summer when audiences decided to prove that to studios once and for all.
We’re midway through the summer of superhero movies – Thor and X-Men: First Class are behind us, with Green Lantern and Captain America: The First Avenger still to come – and a couple of things have happened that you might not have expected. Is this the summer that ignores conventional wisdom and offers (gulp) good superhero movies that are also reasonably successful?
The Matthew Vaughn-directed prequel topped the U.S. box office but fell short of the other recent installments of the Fox franchise. The studio, however, managed expectations, aiming to match the opening of 2000’s X-Men.